![]() Other Directives might also be applicable and require a CE marking. Last paragraph, replace the existing text of WARNING 1 and WARNING 2 with the following: WARNING: The preceding text and tables are specifically intended for organizations that need to comply with the European Directive 90/385/EEC in order to affix CE marking on their products and for other parties involved in that process. In Table ZA.2, 15th row relating to 3.2, 3rd paragraph (c), 2nd, replace in the 2 nd column with 7.5.8, to read: 3.2, 3rd paragraph (c), 2nd 4.2, 7.5.8, Covered. In Table ZA.2, 13th row relating to 3.2, 3rd paragraph (b), 3rd, replace in the 2 nd column with to read: 3.2, 3rd paragraph (b), 3rd 1, 4.1, 4.2, 7.4, Covered. 2ĥ In Table ZA.1, 23th row relating to 3.2, 3rd paragraph (e), delete in the 2 nd column to read: 3.2, 3rd paragraph (e) 4.2, 7.1, 7.4.3,, 7.6, Covered provided that the documented frequency at which tests are carried out is detailed in the quality management system documentation. In Table ZA.1, 15th row relating to 3.2 3rd paragraph (b) 3rd, replace in the 2 nd column with to read: 3.2 3rd paragraph (b) 3rd 1, 4.1, 4.2, 7.4, Covered. 4 Modifications to ZA.1 In Table ZA.1, 12th row relating to 3.2, 3rd paragraph (b), replace in the 2 nd column with 5.1 to read: 3.2, 3rd paragraph (b) 4.2.2, 5.1 Covered. Delete the last sentence in NOTE 2 to read: NOTE 2 The manufacturer s policy for determining acceptable risk must be in compliance with essential requirements 1, 4, 5, 8, 9 and 10 of the Directive. In NOTE 1, 1 st sentence, replace the reference to the Directive with Directive 90/385/EEC to read: NOTE 1 Where a reference from a clause of this European Standard to the risk management process is made, the risk management process needs to be in compliance with Directive 90/385/EEC, as amended by 2007/47/EC. Delete the 3 rd paragraph starting with EN ISO 13485:2016 provides requirements. 3 Modifications to ZA.0 Replace the 1 st paragraph with the following: This European Standard has been prepared under a mandate given to CEN/CENELEC by the European Union and the European Free Trade Association to provide a means by which a manufacturer may demonstrate conformity, and by which the Notified Body may assess the manufacturer s conformity, with the requirements of Directive 90/385/EEC (as amended) on active implantable medical devices. with the following: This document supersedes EN ISO 13485:2012 and CEN ISO/TR 14969: Modification to the heading of Annex ZA Replace the current heading of Annex ZA with: Relationship between this European Standard and the Conformity Assessment Requirements of EU Directive 90/385/EEC (as amended). ![]() ![]() EN ISO 13485:2016:EN ISO 13485:2016/AC:2018 EĤ 1 Modification to the European foreword Replace the current fourth paragraph This document supersedes EN ISO 13485:2012. Alle Rechte der Verwertung, gleich in welcher Form und in welchem Verfahren, sind weltweit den nationalen Mitgliedern von CEN und den Mitgliedern von CENELEC vorbehalten. Tous droits d'exploitation sous quelque forme et de quelque manière que ce soit réservés dans le monde entier aux membres nationaux du CEN et aux membres du CENELEC. CEN-CENELEC Management Centre: Rue de la Science 23, B-1040 Brussels 2018 CEN/CENELEC All rights of exploitation in any form and by any means reserved worldwide for CEN national Members and for CENELEC Members. 3 EUROPEAN STANDARD NORME EUROPÉENNE EUROPÄISCHE NORM EN ISO 13485:2016/AC March 2018 ICS English version Medical devices - Quality management systems - Requirements for regulatory purposes (ISO 13485:2016) Dispositifs médicaux - Systèmes de management de la qualité - Exigences à des fins réglementaires (ISO 13485:2016) Medizinprodukte - Qualitätsmanagementsysteme - Anforderungen für regulatorische Zwecke (ISO 13485:2016) This corrigendum becomes effective on 28 March 2018 for incorporation in the official English version of the EN. ![]()
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![]() Targets can be marked from the drone view. The drone has a camera to provide an aerial view. ![]() Drones can be spotted by enemies and shot, and if they take enough damage, they must be recalled for repair, which occurs automatically after a short period. The player can also order the drone to return. The player can leave the drone hovering in the air indefinitely, so long as it is not spotted by the enemy, and switch between normal view and the drone's camera view. The drone can be launched covertly and controlled remotely, hovering or moving over the playing field for a limited distance. Players have use of drones, which are similar to UAVs. On the Xbox 360, players can use Kinect to customize their weapons through hand gestures and voice commands. In multiplayer, players unlock weapons and earn credits as they advance the level of their character. In single-player, advanced parts are unlocked by completing missions and in-mission achievements (called "challenges"). aiming laser ), gas systems (standard, "over-gassed" for increased fire rate/lower accuracy, or "under-gassed" for decreased fire rate/higher accuracy), barrels, muzzles, stocks and paint (cosmetic only). foregrip or bipod ), side-rail attachments (e.g. Parts that can be customized include: optics, triggers, magazines, under-barrel attachments (e.g. After customizations are made, the player can test them on a firing range before entering a mission. Gunsmith allows the player to customize their weapon extensively. If the player marks four targets, the player must aim at one of the targets and fire in order to take down all four targets. If the player marks up to three targets, the player can either order them to fire, or take aim himself on one of the targets and fire, at which point the squad mates fire simultaneously. The player is shown icons signifying when the squad mates have moved into position and taken aim on marked targets. This mechanic is referred to by the game as "Sync Shot". Outside of firefights, marking targets prepares for a synchronized takedown, so long as the enemy is still unaware of the team's presence. It enables automatically when the player crouches, and disengages when running, firing, or taking damage.ĭuring firefights, the player can prioritize up to four targets by marking them, on which squad members will focus fire. In the game, it is explained that the processing power doesn't exist yet for the camouflage to keep up with quick movements, so it is only active when the player moves slowly. While taking cover, players can be suppressed by machine gun fire, which takes the effect of narrowing and shaking the player's field of vision, making it harder to return fire.Ī new feature in the series is adaptive camouflage, a form of active camouflage which allows the Ghosts to become partially invisible. Some cover can be partially destroyed, forcing players to seek other hiding spots. When aiming using sights, the game switches to a first-person camera. ![]() The game is a third-person cover-based shooter. ![]() ![]() The end results: We were able to consistently and predictably gain followers averaging between $0.25-$0.35 per follower (including a bulk of the promotion being done in high cost English speaking countries such as United States, United Kingdom, Australia, & Canada) resulting in around 4,000 new, engaged followers/month on Instagram. We were able to bring out the heart of his music through paid ads by editing & optimizing his existing videos and properly researching and structuring his ad campaigns. Kid Travis already had amazing talent but needed to combine his music genius with some marketing expertise to get the best of both worlds. His main goal was to achieve new followers who are seriously interested in his journey as an artist. ![]() having us add our years of experience and expertise to them made a huge difference! He discovered that trying to run Instagram ads yourself vs. While you can get some spill over audience from YouTube, Kid Travis knew that Instagram ad campaigns could boost his presence on IG even further! You can’t find this anywhere else but here.With an already buzzing YouTube audience of over 400K+ subscribers, Kid Travis wanted his Instagram profile to start gaining some of that same traction. That's right, using the crossfade knob in FL Studio or looping the bass wav in your DAW you can create a perfect, even, 808 bass drum that repeats without cut or dropping in and out of volume! This allows for PERFECT 808 LOOPING AND PLAY-ABILITY! Perfectly pitched from C4 to B5 - We took our finest 808 bass drum and compressed it in with perfectly EQ’d and balanced sub bass. Tired of trying to create the perfect snare roll? Don't go anywhere else, we included a bunch of pure quality snare rolls ready to drag and drop straight into your next masterpiece. Looking for perfect trap style hi hat's to add to your tracks? We pre prepared some of the most groundbreaking trap hi hat loops ever created, ready for you to drag and drop into your tracks. No more guessing which pitch your drum samples are in - we do the hard work so your tracks sound better. We shut ourselves in the studio and mapped out classic 808 bass drums (Both short decay and long decay) in perfect pitch (A3 - G4). PREMIUM SOUND - RIGHT OUT THE BOX BONUS #1 - Pitched 808 Drums You need the best tools to make your music the best it can be - don't settle for second best. If you create trap, south, hip hop or for that matter ANY type of music, you need to be adding U808 to your production arsenal today.
![]() ![]() IP cameras don't require professional installation, saving time for home and business owners. This crossover of IP cameras to home use is partly due to the device's self-installation. A 2016 survey of 2,000 Americans revealed 20% of them owned home security cameras. IP cameras used to be more common in small businesses than in homes, but that is no longer the case. IP cameras in the home generally connect to the internet through Wi-Fi, Broadband, or Ethernet cable. Many consumer-level IP cameras used for home security send a live video stream to a companion app on the user's phone. ( November 2019) ( Learn how and when to remove this template message) ![]() Please help improve this section if you can. The specific problem is: Unreliable sources. This section may require cleanup to meet Wikipedia's quality standards. Each group now has numerous additional members, thus cameras and recording hardware that operate under the same standard can work with each other. ONVIF was founded by Axis Communications, Bosch and Sony. PSIA was founded by 20 member companies including Honeywell, GE Security, and Cisco. To address IP video surveillance standardization issues, two industry groups formed in 2008: the Open Network Video Interface Forum ( ONVIF) and the Physical Security Interoperability Alliance (PSIA). IP cameras are available at resolutions from 0.3 ( VGA resolution) to 29 megapixels. IP cameras may differ from one another in resolution, features, video encoding schemes, available network protocols, and the API for video management software. ![]() 1080P (Full-HD), 4K resolution (Ultra-HD) and 16:9 widescreen format). Since 2000, there has been a shift in the consumer TV business towards high-definition (HD) resolutions (e.g. Previous generations of analog CCTV cameras use established broadcast television formats (e.g. This camera was able to detect a number of different events, such as if an object was stolen, a human crossed a line, a human entered a predefined zone, or if a car moved in the wrong direction. In 2005, the first IP camera with onboard video content analytics ( VCA) was released by Intellio. The camera's Linux system contained video, alarm, and recording management functions. The first decentralized IP camera was released in 1999 by Mobotix. This open architecture was intended to encourage third-party software manufacturers to develop compatible management and recording software. Axis also released documentation for its low-level application programming interface (API) called VAPIX, which builds on the open standards of HTTP and real time streaming protocol (RTSP). Axis used a custom proprietary web server named OSYS, yet by the summer of 1998, it had started porting the camera software to Linux. The Axis Neteye 200 was not intended to replace traditional analogue CCTV systems, given that its capability was limited to just one frame per second in Common Intermediate Format (CIF), or one every 17 seconds in 4CIF resolution, with a maximum resolution quality of 0.1MP (352x288). Thus it was aimed primarily at the tourism industry. At the time of launch, it was considered incapable of operating as a motion camera due to what was at the time, "enormous" bandwidth requirements. It was limited to a snapshot image each time the camera was accessed due to the lack of powerful integrated circuits at the time capable of handling image processing and networking. Though promoted based on its direct accessibility from anywhere with an internet connection, the camera couldn't stream real-time motion video. The first centralized IP camera, the AXIS Neteye 200, was released in 1996 by Axis Communications and was developed by the team of Martin Gren and Carl-Axel Alm.
![]() ![]() ![]() X2 "Mayday, mayday, somebody is in here stabbing my husband" That's what she said 'fore I cut off his head then I listened to her tell me how much she loved him Told her pick up his head hold it straight just so I could take pictures of him Niggas be rapping and singing the same shit over and over because they have no substance Fill em up Nightmares, rigor mortis, dark days, body crunching Circumstances, certain situations have me on one With the long gun ready to bust from the hip 'till they all done Take 'em right out the game every time a nigga pull up, and I'm bustin' with the pistol I was only wondering about some kind of issue, now a nigga walking with a bullet in his tissue Yeah, aight put him in the trunk with the rest of these niggas that's wolfin' Tattle-tales, fucking rats, dirty snitches all get took and Give them tons of ass-whoppins, look at how all them niggas are shooken It made my fucking day to see them niggas all ready to get up and start booking The Wickedest witch in the west, and I am not talking about Harry Potter The phenom, the, the demon, scary slaughter X1 I'm off that shit and I just can't explain The way that I just split her brain That scary slaughter I've been ripping her face with this dull razorblade Fill her wounds with cocaine It's that slaughter I'm patiently watching you die slow mixed with the hydro I've been advised to eat you alive oh Eating your face has been my goal Sick in the brain since I've been alive I want you to die so me and this knife Will paint a picture with your blood tonight Brainsick, squad up, they don't wanna let us all bust They be we can spit shit So she gon' have ta let us all fuck that Scary Slaughter Name so this dead bitch finna get fuck that Scary Slaughter She's bleedin', and screamin', I'm searching for reasons To keep her I need her to love her, but fuck it I rather just APPEARS ON THE INSANE ASYLUM YOU MIGHT ALSO ENJOY No Type by Rae Sremmurd Truffle Butter by Nicki Minaj No Role Modelz by J.Despite taking place in Los Angeles, Ty Dolla $ign’s opus Free TC most resembles a Broadway play, complete with a wide-eyed, scene-establishing opener, a Babyface-assisted aria, and a closing song literally titled "Finale". ![]() ![]() Nighttime shit, different shit, fuck your couch nigga that ignorant shit Gibberish shit? come to your house in the night with a bullet delivering shit I'm sick of this shit, but I always stay ready, so I keep machetes like I was on Jason Halloween, Edward Gein, Elm Street, Crystal Laking I'mma fry everyone like they was bacon Take 'em, and rape em, then scrap em off the street at night they think I'm Satan But I'm really just a motherfucker who likes to get high at night Cut them and hang 'em up over the bridge then watch them die at night Murder is a lovely sight, in fact, I love it when the shit is close range Grab 'em and, stab 'em and run up his face with cocaine Look, I really hate to be one to brush you off, but a motherfucker really got a problem I came here from hell, but I don't know where I was going I just MURDER AND MURDER AND MURDER AND CHOP 'EM Put em in the pot then cook and pop 'em mix ready like I was on Dahmer shit 24/7 I'm effed the fuck up, but they all want me on some calmer shit The wickedest witch, and I am not talking about Harry Potter Walking death, nighttime, moonlight, scary slaughter Night stick I will get Deep in you brain with the ice-a-pick Mind if it, split your wrist Excuse me if One in your chest, One in your brain Won't be catch you disrespecting my name For people that's acting too funny, I'm going up over the hill with the Or I'm the. ![]() ![]() ![]() ![]() I feel like Nick Cannon 'cause I'm wildin' out I don't got on Vans but bitch I'm off the wall Huh, feel like Nick Cannon 'cause I'm wildin' out I don't got on Vans but bitch I'm off the wall I said like insect, I be buggin' motherfucker Fuck on your mommy My flow be sick like that bitch gotta vomit, to vomit, to vomit I'm hot like a comet Insect, I be buggin' motherfucker Fuck on your mommy My flow be sick like that bitch gotta vomit, to vomit, to vomit I'm hot like a comet When I di-di-di-di-di-dick that bitch And she see Jesus on some rapture shit Throw my balls at her Pokémon Ash Ketchum shit 'Cause I'm fly like a newborn baby wombat wing Me and this mic is your Mortal Kombat team I want some head, I'm thinkin' how zombies think Beaming a pistol it look like hadouken Like mayday, mayday, mayday, mayday Tell these pussy rappers that it's time to vacay Rob your lady Told her put her hands up high in the air Like she 'bout to hit the Nae Nae They say I'm cr-cr-cr-cr-cray cray Can't control the nigga like we shootin' from the AK But I kill these rappers I’m a walking, breathing payday Hot, but I swag, still nigga got the Ray Rays Get away, get away, get away, get away Better do you or do way way, fade away You sippin' Haterade, I'm sippin' Gatorade With the lean in it and I call it the fadeaway I'm so toxic, frog, hop up on my dick I think I'm a pilot, 'cause she in my cockpit Plumber, uh, pipe it Get face like I Skyped it Did her ASAP like Rocky Rockin' in my motherfuckin' Rockin' rockin' in my motherfuckin' ![]() ![]() I feel like Nick Cannon 'cause I'm wildin' out I don't got on Vans but bitch I'm off the wall, hu Feel like Nick Cannon 'cause I'm wildin' out I don't got on Vans but bitch I'm off the wall I said like insect, I be buggin' motherfucker Fuck on your mommy My flow be sick like that bitch gotta vomit, to vomit, to vomit I'm hot like a comet Insect, I be buggin' motherfucker Fuck on your mommy My flow be sick like that bitch gotta vomit, to vomit, to vomit I'm hot like a comet Since you never gave a damn in the first place Maybe it's time you had the tables turned 'Cause in the interest of all involved I got the problem solved And the verdict is guilty Man nearly kill. ![]() ![]() The second game in the series (which is of course entirely new to the Dreamcast) features a time-travel storyline, which of course introduces the weapon-laden flying vehicles that everyone's driving in the future, as well as other bits of advanced technology that lets cars skim along on ski slopes and water. That's almost all the plot description you need, save for that the setting is the 1970s, and the game recycles the only things anyone would ever want to salvage from that era: muscle cars, funk music, Afros, and fat sideburns. The console cousin to Activision's Interstate 76 line, the Vigilante 8 series, focuses on a group of good people who drive cars tricked out with weapons and fight against a group of bad people who drive cars tricked out with weapons.
![]() He guards a hoard of gold and jewels the like of which was never seen in the world. "I will tell thee what no one else knows of Fafnir the Dragon. "What is the slaying of Lygni and the conquest of his kingdom to the slaying of Fafnir the Dragon?" Regin cried. "I have to make war on King Lygni, and avenge upon him the slaying of Sigmund, my father." "I have nought to do with the slaying of Dragons," Sigurd said. Now, if thou art a true Volsung, thou wilt slay the Dragon, and let that land become fair again, and bring the people back to it and so add to King Alv's domain." Know that once it was fair land where men had peace and prosperity, but Fafnir came and made his den in a cave near by, and his breathings as he went to and came from the River withered up the land and made it the barren waste that men called Gnita Heath. If thou dost ride to the crest of the hills thou mayst look across to the desolate land where Fafnir has his haunt. "Thou hast heard of Fafnir the Dragon, whose image I have wrought here. "Thou art not a true Volsung or thou wouldst gladly go where most danger and dread is," said Regin. "I shall win renown as my fathers won renown, in battle with men and in conquest of kingdoms," Sigurd said. "With a good sword thou mightst slay him and win for thyself more renown than ever thy fathers had," Regin whispered. "Aye, thou dost look on Fafnir the Dragon, son of the Volsungs," he said to Sigurd. His back was bent his hair fell over his eyes that were all fiery, and he looked like a beast that runs behind the hedges. He stood by the wall and he watched Sigurd. While he was still gazing on the loathly image, Regin, the cunning smith, came into the smithy. Sigurd thought it was the image of the most hateful thing in the world, and the light of the smithy fire falling on it, and the smoke of the smithy fire rising round it, made it seem verily a Dragon living in his own element of fire and reek. Hammered out on that shield and colored with red and brown colors was the image of a Dragon, a Dragon lengthening himself out of a cave. The work of Regin's hands was a shield, a great shield of iron. Sigurd looked upon it, and a hatred for the thing that was shown rose up in him. But over the anvil, in the smoke of the smithy fire, there was a work of Regin's hands. Then Sigurd strode on until he came to the hut in the forest where he worked with the cunning smith Regin. ![]() The proud horse breathed fondly over Sigurd and bounded away. Having shown himself before the Hall, Sigurd dismounted from Grani, and stroked and caressed him with his hands and told him that now he might go back and take pasture with the herd. Before the Hall he shouted out the Volsung name, and King Alv felt as he watched him that this youth was a match for a score of men, and Hiordis, his mother, saw the blue flame of his eyes and thought to herself that his way through the world would be as the way of the eagle through the air. Mounted upon Grani, his proud horse, Sigurd rode to the Hall and showed himself to Alv, the King, and to Hiordis, his mother. Norse Mythology and Viking Legends for Kids ![]() ![]() ![]() ![]() it allows you to modify your voice as per your desire and provides you with multiple sound effects that add more fun to your software experience. The clownfish voice changer is amazingly compatible with Discord, Skype, TeamSpeak, etc. You can use the software with Discord for gaming and play pranks on your friends and family for fun! 4. Source: Audio4Funīesides its fantastic features, AV voice changer software diamond has only one-time payment and gives lifetime fun. Owing to the industry-leading algorithms, you can also create files with original and natural voice characteristics. Any characteristic of your voice is accessible. AV voice changer software diamondĪnother soundboard for Discord is AV voice changer software diamond that allows you to professionally modify your voice into any cartoon’s or celebrity’s voice. It is one of the easiest and user-friendly soundboard apps for Discord and compatible with other programs like Skype and TeamSpeak.Īnother fantastic feature of VoiceMod is that its gallery updates new sounds and effects every month, which is another reason for admiring the software by the users. It converts your voice into different ones, like robotic, satanic, normal male or female voices. More about Voicemod is that it is a voice modifier. Indeed, one unique Soundboard for Discord is VoiceMod that comes with several sound effects to escalate your fun and convenience. Voicemod does not discriminate between a gamer and a streamer, and it allows you to have your favorite sounds. Besides, you can search for different sounds in the instant search bar and make a list of different sounds for your convenience. You can also play sounds for yourself only on headphones that most gamers prefer. It also allows you to block your microphone if need be. It is both a sound recorder and an editor. It lets you play sounds on the microphone and gives you a speechless sound to speakers and microphone experience. Therefore, its amazing functionality does not let it remain just an ‘ordinary’ media player. We can say that Soundpad is that ordinary media player that works wonders for Discord users. So, without any further delay, let’s get started! 1. All these apps are highly compatible with Discord and provide an excellent experience, especially when it comes to gaming. Here is a list of the top 13 best soundboard apps for Discord. In conclusion Top 13 best soundboards for Discord ![]() ![]() ![]() You’re doing amazing things at the moment as well. And I absolute pleasure be wanting to get you on the show for a while, because I know you’ve got a fascinating journey. Thanks for having me, Keith really appreciate it. So Chris, thank you very much for joining me. And it’s got so much to talk about really, really excited about this episode. So absolutely delighted to be joined by the main man, Chris Forsyth, a K a Tenerfuse and Epic member of the community. Hello, and thank you for joining me on another episode of the Finish More Music podcast. My name’s Keith Mills, every week, we’ll dive into the mindset creative strategies that will help you to move further, faster music production, Jen. Let’s get stuck into today’s session is to Finish More Music show for underground dance music, producers who want to finish more and better music, and to share it with the world. I’m going to shine a light on the real changes that will make a difference and get you accelerating towards your version of success. Then jump on this video series it’s for you. If you’re someone who find yourself procrastinating, wasting your valuable studio time, and maybe try course after course, all the YouTube tutorials, bits of gear, loads of the latest software. So you’re going to want to make sure you don’t miss out by heading over to /waitlist. I only put it up for a short period of time because I do live training with it. You’re proud of it’s all about getting your music out there about getting releases about seeing constant upwards growth as a music producer. It’s a three part video series and it is designed to fast track you from finishing little or no music all the way to consistently finishing tracks. So yeah, jump over, /waitlist it’s completely free. Now, before we dive into the full show, I want to give you a quick reminder that the new Finish More Music workshop is going live for you on the eighth. ![]() And also Chris shares a really emotional journey of his own personal battle with addiction and how with dedication, with commitment, you can achieve anything, literally anything you put your mind to incredibly powerful episode. ![]() So in this episode, we’re going to talk about the risks, the rewards, the lessons Chris has learned, as well as the power of investing in yourself, personal development, and the key characteristics you require to make such a move. He left his day job to go full time with his music. So today’s episode none other than my main man, Chris Forsyth, AKA Tenerfuse.Īnd I know that this session is going to resonate with so many people because Chris recently backed himself to make a move that most creatives dream of. Now, I think stories like these are incredibly powerful because so often it is just one piece of information that is all that it takes for you to flick a switch and see huge change for yourself. Now I’m super excited for these case studies, because they’ll give you the opportunity to learn from producers, just like you, people who have huge ambitions and who have also wrestled and overcome a variety of challenges and blocks along the way to see the awesome results that they’re achieving today. And today is the start of a very special series in which we’re going to be hearing about the journeys and lessons from a number of the producers inside of the Finish More Music community. And this is episode number 78 of the Finish More Music podcast. This is an automated transcription which may have some occasional errors in spelling and grammar. ![]() |
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